These, for me, are the two most depressing paintings in western history. They were painted by post-impressionist Henry de Toulouse-Lautrec, a man who, due to inbreeding, was born with a genetic disorder that prevented his legs from growing after they were broken. After being so thoroughly mocked for is appearance, he became an alcoholic, which is what eventually caused his institutionalization and death. His only known romantic relations were with prostitutes.
And then he paints something like this which is so beautiful and tender and sentimental. It seems like the couple in bed really loves each other—cares about each other. Wakes up happy to look at each other. And I see that love and passion and I wonder how lonely he must have been. I wonder how he could paint something like this without it breaking his heart.
Maybe they say artists should create what they know, not because its unbelievable when they extend themselves beyond their experiences, but because when they pull it off with such elegance, it’s so damn unbearable to look at. I hate thinking of Lautrec, wondering about the lovers he created and knowing it was beyond his experience. Creating something that he knows is beautiful and knows he’ll never really understand.
The Age of Innocence (1993)
nail polish on fingernails: 2 days
nail polish on toenails: 200 years. ur ghost will have glittery toes. ur descendants will come out of the womb w/ revlon 791 midnight affair perfectly applied. infinite
Berlin, Am Potsdamer Platz, Ilona Singer. (1895 - 1963)
"omg you’re just blogging for attention"
and you’re blogging??? for gold? Women? Immortality?
Art details 001: Claude Monet - Le Givre à Giverny
The Royal Greenhouses of Laeken (Dutch: Koninklijke Serres van Laken, French: Serres Royales de Laeken), are a vast complex of monumental heated greenhouses in the park of the Royal Palace of Laeken in the north of Brussels. It is one of the major tourist attractions of the city.
The complex was commissioned by King Leopold II and designed by Alphonse Balat. Built between 1874 and 1895, the complex was finished with the completion of the so-called “Iron Church”, a domed greenhouse that would originally serve as the royal chapel. The total floor surface of this immense complex is 2.5 hectares (270,000 square feet). 800,000 liters (over 200,000 US gallons) of fuel oil are needed each year to heat the buildings.
The complex can only be visited during a two-week period in April–May each year, when most flowers are in full bloom.